Projectes
Caramel
Premiere 6 Nov 24
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SINOPSIS

Caramel was born out of the desire to try to understand the different ways of relating to the consumption of substances and their effects. After two years of research, meetings and talks with people and institutions linked to the subject, it has become clear that it is not possible to give an account in a single work of the multiple issues that unfold as we observe the complex world of consumption. At one extreme, the moralistic and stigmatizing gaze marked by the arbitrariness of what is legal and what is not. At the other, the romanticisation of consumption as a reactive option in the face of hegemonic judgement. But what is going on? What is the question? How can one and the same thing be both liberation and prison? A tool of control of the system and an action of anti-system rebellion. It is clear that in cases of problematic consumption, the question is not about the substances, but about the relationship that is established with them. And that this relationship will be determined by the combination of various factors such as class, gender, or the wound caused by trauma. However, when it comes to drugs, stigma often comes immediately. It is easy to blame the forbidden. But as soon as we look at the list of permitted drugs, miraculously the stigma disappears. We are on the side of good. The law of business, like an animal, marking territory. However, when it comes to drugs, the stigma often comes immediately. It is easy to blame the prohibited. But as soon as we look at the list of permitted drugs, miraculously the stigma disappears. We are on the side of good. The law of business, like an animal, marking territory. But what if instead of focusing on the substance, we look at the real danger zone: compulsion? All those actions we do without thinking about whether we feel like it at all, or even knowing that we don't feel like it at all. Where does this docility come from? What causes it? Is it not the capitalist system itself that nourishes, promotes and facilitates the confusion between compulsion and desire? What do you need of what you have? What of what you want? Do you want more? It is in the turning of desire into compulsion that the practice of consumption becomes problematic. Is it not then a question of how to recognise the origin of the compulsive practice in order to deactivate it, instead of prohibiting consumption or stigmatising those who turn to it for relief or amusement? Our wish is for the play to be a question. Neither to silence nor to judge. To try to understand so that we can take care of ourselves and let it be true. – PABLO MESSIEZ I LES IMPUXIBLES

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FITXA TÈCNICA
Direction
Ariadna Peya and Clara Peya
Play and External Look
Pablo Messiez
Choreography
Ariadna Peya
Original Music
Clara Peya
Dramaturg and Spanish Translation
Marc Cartanyà
Playwright
Ariadna Peya, Clara Peya, Marc Cartanyà and Rita Molina Vallicrosa
Director Assistant
Rita Molina Vallicrosa
Acting Support
Marc Cartanyà and Rita Molina Vallicrosa
Interpreters
Clara Peya, Helena Gispert, Joan Solé, Mabel Olea, Paul Guimerà, Sandra Pujol and Yasser D'Oquendo
Voice-over
Pablo Messiez
Setting and Lighting
Judit Colomer
Costume
Joan Ros
Sound
Carles Bernal
Accessibility Advisor
Èlia Ferrero
EMAV Internship Student (Accessibility)
Òscar Argemí
Technical Director
Jordi Berch
Technical Coordination
Mariona Ubia
Management Direction
Mireia Gràcia Bell-lloch and Júlia Simó Puyo
Management
Maria G. Rovelló
Technical Management
Contracorrent
Media Company
Marta Vilanova, Cristina Castilla (L’eclíptica)
Set Up Made By
Pascualin Estructures
Poster Picture
Xevi Abril
Poster Design
ARDE Studio
Pictures
Marta Mas
Teaser
Jep Jorba
Content Advisors
Míriam Vázquez (Espai Ariadna), Aura Roig (Metzineres), Gastón Auguste, Clara Serra, Energy Control, Gerard Matín-Funés, Sandro Bedini, Júlia, María and Clara Faura Vilarmaui, Vero and others who prefer to remain anonymous.
Thanks to: Reinaldo Ribeiro, Cercle de dones de l'Espai Ariadna, Fundació La Plana, Renata Ramos, Maria Beltrán, Albert Barbé, Jou Serra, Lipi hernandez, Cube Peak and Teatre Lliure's team.
Co-production: Teatre Lliure, Les Impuxibles, Terra Alta and Cassandra Projectes Artístics.
Supported by Institut Català d'Empreses Culturals, Graner, Nau Ivanow and Fabra i Coats.
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